![]() ![]() We start with a specific question and end. Often Deakins himself will answers questions directly and give great tips and advice. The Team Deakins podcast is an ongoing conversation between acclaimed cinematographer Roger Deakins and James Deakins, his collaborator, about cinematography, the film business and whatever other questions are submitted. Most amazingly is that Roger Deakins has created a fantastic forum where people of any level can ask lighting and camera questions of any kind. ![]() we were in closer we could now throw in a 12x12 overhead diffusion. Already Legendary, Roger Deakins Is Still Breaking New Ground Sam Mendes talks about how the cinematographer made the idea of '1917' being one seemingly continuous long shot possible. 'Ill never talk to you again if you dont direct it. another look at Bladerunner 2049 shot by the inimitable Roger Deakins ASC BSC. It is this versatility and ability to put the story first that should be the ultimate goal of anyone working in film. Oscar-winning cinematographer Sir Roger Deakins breaks down his most iconic films, including 1917. The train robbery in “The Assassination of Jesse James by the coward Robert Ford” or the Shanghai assassination sequence in “Skyfall.” Deakins’ look always evolves to serve the setting and tone of the overall movie. Highest Rated: 100 Passion Fish (1992) Lowest Rated: 13 Air America (1990) Birthday: May 24, 1949. Be it either a very stylized Hollywood studio system look for the “Hudsucker Proxy” or “O’ Brother Where Art Thou” to a raw natural look for “No Country for Old Men.” A lush 50s period look for “Revolutionary Road” to a very slick and sexy contemporary looking “Skyfall.” And then there are his awe inspiring sequences. From his work with the Coen brothers to the more recent James Bond movie “Skyfall.” But beyond his movies looking great, he does what few cinematographers can do which is that his look ALWAYS compliments the story. Roger Deakins is undoubtedly one the greatest contemporary cinematographers of our time. ![]()
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